I’m in the process of building a new studio building on my farm Tsula Adohi, which is located in the hills of Middle Tennessee. This section still holds information regarding my studio that continues to transform throughout the years. New information regarding the new studio will be up here when it becomes available. For now, check out the stuff below.
Zero Art Studio is a creative, one room recording studio built to suit the needs of Zero Art Radio, myself and friends. Odds are that you will never step foot in the Zero Art Studio because at this point, the studio remains a private entity and is not open to the public. Although, I have spent a lot of time creating a workspace that means a lot to me and would like to share some information. I use the studio very much as a tool in the writing process of my music, so I believe it ties right into my music. The studio also hosts live sessions and interviews for FMRL, an artist collective started by myself and Chris Davis. If you are touring through Nashville, contact me about coming by to do a session.
After spending many years as a recording engineer in different studios in different areas of the country, I came to the conclusion that the only thing I hated about recording studios was the fact that it wasn’t my own space. The remedy to this, of course, is to build your own and that’s what I did. You have to be a bit mental to want to build your own studio, but I figured I already had that part covered. The studio construction was started in August of 2005 in the Tennessee summer heat. I had recently moved from Chicago to Nashville and bought a house with a 2 1/2 car garage attached. It was this space that I built out into a comfortable workspace for me to work on my music.
The studio is not like many of your typical recording studios. First of all, the studio is one big room. There is no “control room” as the console sits to one side of the room while the “live room” or proper sits to the other side. I really like this way of working as it puts me in the same space as the other players and also makes it easier for me to work alone by engineering and playing at the same time. Also, the studio in not properly soundproofed and outside sounds and noises will on occasion find their way into the studio. Although important to many, this doesn’t bother me at all. I like the fact that I can still hear the world outside of my studio coming in at times. Especially the sounds of wind, rain, and songs of birds.
As you continue through this section of the site, you will find more information and photos pertaining to the studio I have dubbed, Zero Art Studio. If you would like more information about the studio or you want to possibly work in the space with me, please don’t hesitate to use the contact form to send me a missive. Also note that I can be hired as an engineer/producer of your project/album outside of Zero Art Studio.
The console I chose for my studio is a 1973 MCI JH416B. This console is quadraphonic, transformer-balanced and contains the MCI 2001 op-amp and it sounds really incredible, especially for rock, experimental, noise albums. I’ve also had extremely good success with acoustic music. The console was bought from Randy Blevins here in Nashville and has been cleaned up really well. Factors in me choosing this desk were wide and varied, but the main reasons, beyond the fact that it sounds amazing, is that it doesn’t have a bunch of unnecessary circuitry between the mic pres and the tape machine sends and it’s also really easy to mechanically work on.
I plan on recapping the console with time, I have recently recapped the complete console with Nichicon capacitors, and I’m planning on replacing all bulbs with LEDs very soon. I plan on installing Sage Electronics’ red and blue dot op amps on two channels of the quad buss and on a few channels on the console. These are fully discrete op amps and will give me the option to mix with the original 2001 op amps or the fully discrete red and blue dot op amps.